I Am A Filipino by Carlos P. Romulo

I am a Filipino— inheritor of a glorious past, hostage to the uncertain future. As such I must prove equal to a two-fold task- the task of meeting my responsibility to the past, and the task of performing my obligation to the future. I sprung from a hardy race - child of many generations removed of ancient Malayan pioneers. Across the centuries, the memory comes rushing back to me: of brown-skinned men putting out to sea in ships that were as frail as their hearts were stout. Over the sea I see them come, borne upon the billowing wave and the whistling wind, carried upon the mighty swell of hope- hope in the free abundance of new land that was to be their home and their children's forever.

This is the land they sought and found. Every inch of shore that their eyes first set upon, every hill and mountain that beckoned to them with a green and purple invitation, every mile of rolling plain that their view encompassed, every river and lake that promise a plentiful living and the fruitfulness of commerce, is a hollowed spot to me.

By the strength of their hearts and hands, by every right of law, human and divine, this land and all the appurtenances thereof - the black and fertile soil, the seas and lakes and rivers teeming with fish, the forests with their inexhaustible wealth in wild life and timber, the mountains with their bowels swollen with minerals - the whole of this rich and happy land has been, for centuries without number, the land of my fathers. This land I received in trust from them and in trust will pass it to my children, and so on until the world no more.

I am a Filipino. In my blood runs the immortal seed of heroes - seed that flowered down the centuries in deeds of courage and defiance. In my veins yet pulses the same hot blood that sent Lapulapu to battle against the alien foe that drove Diego Silang and Dagohoy into rebellion against the foreign oppressor.

That seed is immortal. It is the self-same seed that flowered in the heart of Jose Rizal that morning in Bagumbayan when a volley of shots put an end to all that was mortal of him and made his spirit deathless forever; the same that flowered in the hearts of Bonifacio in Balintawak, of Gergorio del Pilar at Tirad Pass, of Antonio Luna at Calumpit; that bloomed in flowers of frustration in the sad heart of Emilio Aguinaldo at Palanan, and yet burst fourth royally again in the proud heart of Manuel L. Quezon when he stood at last on the threshold of ancient Malacañang Palace, in the symbolic act of possession and racial vindication.

The seed I bear within me is an immortal seed. It is the mark of my manhood, the symbol of dignity as a human being. Like the seeds that were once buried in the tomb of Tutankhamen many thousand years ago, it shall grow and flower and bear fruit again. It is the insigne of my race, and my generation is but a stage in the unending search of my people for freedom and happiness.

I am a Filipino, child of the marriage of the East and the West. The East, with its languor and mysticism, its passivity and endurance, was my mother, and my sire was the West that came thundering across the seas with the Cross and Sword and the Machine. I am of the East, an eager participant in its struggles for liberation from the imperialist yoke. But I also know that the East must awake from its centuried sleep, shape of the lethargy that has bound his limbs, and start moving where destiny awaits.

For, I, too, am of the West, and the vigorous peoples of the West have destroyed forever the peace and quiet that once were ours. I can no longer live, being apart from those world now trembles to the roar of bomb and cannon shot. For no man and no nation is an island, but a part of the main, there is no longer any East and West - only individuals and nations making those momentous choices that are hinges upon which history resolves.

At the vanguard of progress in this part of the world I stand - a forlorn figure in the eyes of some, but not one defeated and lost. For through the thick, interlacing branches of habit and custom above me I have seen the light of the sun, and I know that it is good. I have seen the light of justice and equality and freedom and my heart has been lifted by the vision of democracy, and I shall not rest until my land and my people shall have been blessed by these, beyond the power of any man or nation to subvert or destroy.

I am a Filipino, and this is my inheritance. What pledge shall I give that I may prove worthy of my inheritance? I shall give the pledge that has come ringing down the corridors of the centuries, and it shall be compounded of the joyous cries of my Malayan forebears when they first saw the contours of this land loom before their eyes, of the battle cries that have resounded in every field of combat from Mactan to Tirad pass, of the voices of my people when they sing:

Land of the Morning,Child of the sun returning…Ne'er shall invaders Trample thy sacred shore.

Out of the lush green of these seven thousand isles, out of the heartstrings of sixteen million people all vibrating to one song, I shall weave the mighty fabric of my pledge. Out of the songs of the farmers at sunrise when they go to labor in the fields; out of the sweat of the hard-bitten pioneers in Mal-ig and Koronadal; out of the silent endurance of stevedores at the piers and the ominous grumbling of peasants Pampanga; out of the first cries of babies newly born and the lullabies that mothers sing; out of the crashing of gears and the whine of turbines in the factories; out of the crunch of ploughs upturning the earth; out of the limitless patience of teachers in the classrooms and doctors in the clinics; out of the tramp of soldiers marching, I shall make the pattern of my pledge:

"I am a Filipino born of freedom and I shall not rest until freedom shall have been added unto my inheritance - for myself and my children's children - forever.

How My Brother Leon Brought Home A Wife

She stepped down from the carretela of Ca Celin with a quick, delicate grace. She was lovely. SHe was tall. She looked up to my brother with a smile, and her forehead was on a level with his mouth.

"You are Baldo," she said and placed her hand lightly on my shoulder. Her nails were long, but they were not painted. She was fragrant like a morning when papayas are in bloom. And a small dimple appeared momently high on her right cheek. "And this is Labang of whom I have heard so much." She held the wrist of one hand with the other and looked at Labang, and Labang never stopped chewing his cud. He swallowed and brought up to his mouth more cud and the sound of his insides was like a drum.

I laid a hand on Labang's massive neck and said to her: "You may scratch his forehead now."

She hesitated and I saw that her eyes were on the long, curving horns. But she came and touched Labang's forehead with her long fingers, and Labang never stopped chewing his cud except that his big eyes half closed. And by and by she was scratching his forehead very daintily.

My brother Leon put down the two trunks on the grassy side of the road. He paid Ca Celin twice the usual fare from the station to the edge of Nagrebcan. Then he was standing beside us, and she turned to him eagerly. I watched Ca Celin, where he stood in front of his horse, and he ran his fingers through its forelock and could not keep his eyes away from her.

"Maria---" my brother Leon said.

He did not say Maring. He did not say Mayang. I knew then that he had always called her Maria and that to us all she would be Maria; and in my mind I said 'Maria' and it was a beautiful name.

"Yes, Noel."

Now where did she get that name? I pondered the matter quietly to myself, thinking Father might not like it. But it was only the name of my brother Leon said backward and it sounded much better that way.

"There is Nagrebcan, Maria," my brother Leon said, gesturing widely toward the west.

She moved close to him and slipped her arm through his. And after a while she said quietly.

"You love Nagrebcan, don't you, Noel?"

Ca Celin drove away hi-yi-ing to his horse loudly. At the bend of the camino real where the big duhat tree grew, he rattled the handle of his braided rattan whip against the spokes of the wheel.

We stood alone on the roadside.

The sun was in our eyes, for it was dipping into the bright sea. The sky was wide and deep and very blue above us: but along the saw-tooth rim of the Katayaghan hills to the southwest flamed huge masses of clouds. Before us the fields swam in a golden haze through which floated big purple and red and yellow bubbles when I looked at the sinking sun. Labang's white coat, which I had wshed and brushed that morning with coconut husk, glistened like beaten cotton under the lamplight and his horns appeared tipped with fire.


He faced the sun and from his mouth came a call so loud and vibrant that the earth seemed to tremble underfoot. And far away in the middle of the field a cow lowed softly in answer.

"Hitch him to the cart, Baldo," my brother Leon said, laughing, and she laughed with him a big uncertainly, and I saw that he had put his arm around her shoulders.

"Why does he make that sound?" she asked. "I have never heard the like of it."

"There is not another like it," my brother Leon said. "I have yet to hear another bull call like Labang. In all the world there is no other bull like him."

She was smiling at him, and I stopped in the act of tying the sinta across Labang's neck to the opposite end of the yoke, because her teeth were very white, her eyes were so full of laughter, and there was the small dimple high up on her right cheek.

"If you continue to talk about him like that, either I shall fall in love with him or become greatly jealous."

My brother Leon laughed and she laughed and they looked at each other and it seemed to me there was a world of laughter between them and in them.

I climbed into the cart over the wheel and Labang would have bolted, for he was always like that, but I kept a firm hold on his rope. He was restless and would not stand still, so that my brother Leon had to say "Labang" several times. When he was quiet again, my brother Leon lifted the trunks into the cart, placing the smaller on top.

She looked down once at her high-heeled shoes, then she gave her left hand to my brother Leon, placed a foot on the hub of the wheel, and in one breath she had swung up into the cart. Oh, the fragrance of her. But Labang was fairly dancing with impatience and it was all I could do to keep him from running away.

"Give me the rope, Baldo," my brother Leon said. "Maria, sit down on the hay and hold on to anything." Then he put a foot on the left shaft and that instand labang leaped forward. My brother Leon laughed as he drew himself up to the top of the side of the cart and made the slack of the rope hiss above the back of labang. The wind whistled against my cheeks and the rattling of the wheels on the pebbly road echoed in my ears.

She sat up straight on the bottom of the cart, legs bent togther to one side, her skirts spread over them so that only the toes and heels of her shoes were visible. her eyes were on my brother Leon's back; I saw the wind on her hair. When Labang slowed down, my brother Leon handed to me the rope. I knelt on the straw inside the cart and pulled on the rope until Labang was merely shuffling along, then I made him turn around.

"What is it you have forgotten now, Baldo?" my brother Leon said.

I did not say anything but tickled with my fingers the rump of Labang; and away we went---back to where I had unhitched and waited for them. The sun had sunk and down from the wooded sides of the Katayaghan hills shadows were stealing into the fields. High up overhead the sky burned with many slow fires.

When I sent Labang down the deep cut that would take us to the dry bed of the Waig which could be used as a path to our place during the dry season, my brother Leon laid a hand on my shoulder and said sternly:

"Who told you to drive through the fields tonight?"

His hand was heavy on my shoulder, but I did not look at him or utter a word until we were on the rocky bottom of the Waig.

"Baldo, you fool, answer me before I lay the rope of Labang on you. Why do you follow the Wait instead of the camino real?"

His fingers bit into my shoulder.

"Father, he told me to follow the Waig tonight, Manong."

Swiftly, his hand fell away from my shoulder and he reached for the rope of Labang. Then my brother Leon laughed, and he sat back, and laughing still, he said:

"And I suppose Father also told you to hitch Labang to the cart and meet us with him instead of with Castano and the calesa."

Without waiting for me to answer, he turned to her and said, "Maria, why do you think Father should do that, now?" He laughed and added, "Have you ever seen so many stars before?"

I looked back and they were sitting side by side, leaning against the trunks, hands clasped across knees. Seemingly, but a man's height above the tops of the steep banks of the Wait, hung the stars. But in the deep gorge the shadows had fallen heavily, and even the white of Labang's coat was merely a dim, grayish blur. Crickets chirped from their homes in the cracks in the banks. The thick, unpleasant smell of dangla bushes and cooling sun-heated earth mingled with the clean, sharp scent of arrais roots exposed to the night air and of the hay inside the cart.

"Look, Noel, yonder is our star!" Deep surprise and gladness were in her voice. Very low in the west, almost touching the ragged edge of the bank, was the star, the biggest and brightest in the sky.

"I have been looking at it," my brother Leon said. "Do you remember how I would tell you that when you want to see stars you must come to Nagrebcan?"

"Yes, Noel," she said. "Look at it," she murmured, half to herself. "It is so many times bigger and brighter than it was at Ermita beach."

"The air here is clean, free of dust and smoke."

"So it is, Noel," she said, drawing a long breath.

"Making fun of me, Maria?"

She laughed then and they laughed together and she took my brother Leon's hand and put it against her face.

I stopped Labang, climbed down, and lighted the lantern that hung from the cart between the wheels.

"Good boy, Baldo," my brother Leon said as I climbed back into the cart, and my heart sant.

Now the shadows took fright and did not crowd so near. Clumps of andadasi and arrais flashed into view and quickly disappeared as we passed by. Ahead, the elongated shadow of Labang bobbled up and down and swayed drunkenly from side to side, for the lantern rocked jerkily with the cart.

"Have we far to go yet, Noel?" she asked.

"Ask Baldo," my brother Leon said, "we have been neglecting him."

"I am asking you, Baldo," she said.

Without looking back, I answered, picking my words slowly:

"Soon we will get out of the Wait and pass into the fields. After the fields is home---Manong."

"So near already."

I did not say anything more because I did not know what to make of the tone of her voice as she said her last words. All the laughter seemed to have gone out of her. I waited for my brother Leon to say something, but he was not saying anything. Suddenly he broke out into song and the song was 'Sky Sown with Stars'---the same that he and Father sang when we cut hay in the fields at night before he went away to study. He must have taught her the song because she joined him, and her voice flowed into his like a gentle stream meeting a stronger one. And each time the wheels encountered a big rock, her voice would catch in her throat, but my brother Leon would sing on, until, laughing softly, she would join him again.

Then we were climbing out into the fields, and through the spokes of the wheels the light of the lantern mocked the shadows. Labang quickened his steps. The jolting became more frequent and painful as we crossed the low dikes.

"But it is so very wide here," she said. The light of the stars broke and scattered the darkness so that one could see far on every side, though indistinctly.

"You miss the houses, and the cars, and the people and the noise, don't you?" My brother Leon stopped singing.

"Yes, but in a different way. I am glad they are not here."

With difficulty I turned Labang to the left, for he wanted to go straight on. He was breathing hard, but I knew he was more thirsty than tired. In a little while we drope up the grassy side onto the camino real.

"---you see," my brother Leon was explaining, "the camino real curves around the foot of the Katayaghan hills and passes by our house. We drove through the fields because---but I'll be asking Father as soon as we get home."

"Noel," she said.

"Yes, Maria."

"I am afraid. He may not like me."

"Does that worry you still, Maria?" my brother Leon said. "From the way you talk, he might be an ogre, for all the world. Except when his leg that was wounded in the Revolution is troubling him, Father is the mildest-tempered, gentlest man I know."

We came to the house of Lacay Julian and I spoke to Labang loudly, but Moning did not come to the window, so I surmised she must be eating with the rest of her family. And I thought of the food being made ready at home and my mouth watered. We met the twins, Urong and Celin, and I said "Hoy!" calling them by name. And they shouted back and asked if my brother Leon and his wife were with me. And my brother Leon shouted to them and then told me to make Labang run; their answers were lost in the noise of the wheels.

I stopped labang on the road before our house and would have gotten down but my brother Leon took the rope and told me to stay in the cart. He turned Labang into the open gate and we dashed into our yard. I thought we would crash into the camachile tree, but my brother Leon reined in Labang in time. There was light downstairs in the kitchen, and Mother stood in the doorway, and I could see her smiling shyly. My brother Leon was helping Maria over the wheel. The first words that fell from his lips after he had kissed Mother's hand were:

"Father... where is he?"

"He is in his room upstairs," Mother said, her face becoming serious. "His leg is bothering him again."

I did not hear anything more because I had to go back to the cart to unhitch Labang. But I hardly tied him under the barn when I heard Father calling me. I met my brother Leon going to bring up the trunks. As I passed through the kitchen, there were Mother and my sister Aurelia and Maria and it seemed to me they were crying, all of them.

There was no light in Father's room. There was no movement. He sat in the big armchair by the western window, and a star shone directly through it. He was smoking, but he removed the roll of tobacco from his mouth when he saw me. He laid it carefully on the windowsill before speaking.

"Did you meet anybody on the way?" he asked.

"No, Father," I said. "Nobody passes through the Waig at night."

He reached for his roll of tobacco and hithced himself up in the chair.

"She is very beautiful, Father."

"Was she afraid of Labang?" My father had not raised his voice, but the room seemed to resound with it. And again I saw her eyes on the long curving horns and the arm of my brother Leon around her shoulders.

"No, Father, she was not afraid."

"On the way---"

"She looked at the stars, Father. And Manong Leon sang."

"What did he sing?"

"---Sky Sown with Stars... She sang with him."

He was silent again. I could hear the low voices of Mother and my sister Aurelia downstairs. There was also the voice of my brother Leon, and I thought that Father's voice must have been like it when Father was young. He had laid the roll of tobacco on the windowsill once more. I watched the smoke waver faintly upward from the lighted end and vanish slowly into the night outside.

The door opened and my brother Leon and Maria came in.

"Have you watered Labang?" Father spoke to me.

I told him that Labang was resting yet under the barn.

"It is time you watered him, my son," my father said.

I looked at Maria and she was lovely. She was tall. Beside my brother Leon, she was tall and very still. Then I went out, and in the darkened hall the fragrance of her was like a morning when papayas are in bloom.

The Summer Solstice by Nick Joaquin

THE MORETAS were spending St. John’s Day with the children’s grandfather, whose feast day it was. Doña Lupeng awoke feeling faint with the heat, a sound of screaming in her ears. In the dining room the three boys already attired in their holiday suits, were at breakfast, and came crowding around her, talking all at once. 


“How long you have slept, Mama!”


“We thought you were never getting up!”


“Do we leave at once, huh? Are we going now?”


“Hush, hush I implore you! Now look: your father has a headache, and so have I. So be quiet this instant—or no one goes to Grandfather.”


Though it was only seven by the clock the house was already a furnace, the windows dilating with the harsh light and the air already burning with the immense, intense fever of noon.


She found the children’s nurse working in the kitchen. “And why is it you who are preparing breakfast? Where is Amada?” But without waiting for an answer she went to the backdoor and opened it, and the screaming in her ears became wild screaming in the stables across the yard. “Oh my God!” she groaned and, grasping her skirts, hurried across the yard.


In the stables Entoy, the driver, apparently deaf to the screams, was hitching the pair of piebald ponies to the coach.


“Not the closed coach, Entoy! The open carriage!” shouted Doña Lupeng as she came up.


“But the dust, señora—“


“I know, but better to be dirty than to be boiled alive. And what ails your wife, eh? Have you been beating her again?”


“Oh no, señora: I have not touched her.”


“Then why is she screaming? Is she ill?”


“I do not think so. But how do I know? You can go and see for yourself, señora. She is up there.”


When Doña Lupeng entered the room, the big half-naked woman sprawled across the bamboo bed stopped screaming. Doña Lupeng was shocked. 


“What is this Amada? Why are you still in bed at this hour? And in such a posture! Come, get up at once. You should be ashamed!”


But the woman on the bed merely stared. Her sweat-beaded brows contracted, as if in an effort to understand. Then her face relax her mouth sagged open humorously and, rolling over on her back and spreading out her big soft arms and legs, she began noiselessly quaking with laughter—the mute mirth jerking in her throat; the moist pile of her flesh quivering like brown jelly. Saliva dribbled from the corners of her mouth.


Doña Lupeng blushed, looking around helplessly, and seeing that Entoy had followed and was leaning in the doorway, watching stolidly, she blushed again. The room reeked hotly of intimate odors. She averted her eyes from the laughing woman on the bed, in whose nakedness she seemed so to participate that she was ashamed to look directly at the man in the doorway.


“Tell me, Entoy: has she had been to the Tadtarin?”


“Yes, señora. Last night.”


“But I forbade her to go! And I forbade you to let her go!”


“I could do nothing.”


“Why, you beat her at the least pretext!”


“But now I dare not touch her.”


“Oh, and why not?”


“It is the day of St. John: the spirit is in her.”


“But, man—“


“It is true, señora. The spirit is in her. She is the Tadtarin. She must do as she pleases. Otherwise, the grain would not grow, the trees would bear no fruit, the rivers would give no fish, and the animals would die.”


“Naku, I did no know your wife was so powerful, Entoy.”


“At such times she is not my wife: she is the wife of the river, she is the wife of the crocodile, she is the wife of the moon.”




“BUT HOW CAN they still believe such things?” demanded Doña Lupeng of her husband as they drove in the open carriage through the pastoral countryside that was the arrabal of Paco in the 1850’s.


Don Paeng darted a sidelong glance at his wife, by which he intimated that the subject was not a proper one for the children, who were sitting opposite, facing their parents.


Don Paeng, drowsily stroking his moustaches, his eyes closed against the hot light, merely shrugged.


“And you should have seen that Entoy,” continued his wife. “You know how the brute treats her: she cannot say a word but he thrashes her. But this morning he stood as meek as a lamb while she screamed and screamed. He seemed actually in awe of her, do you know—actually afraid of her!”


“Oh, look, boys—here comes the St. John!” cried Doña Lupeng, and she sprang up in the swaying carriage, propping one hand on her husband’s shoulder wile the other she held up her silk parasol.


And “Here come the men with their St. John!” cried voices up and down the countryside. People in wet clothes dripping with well-water, ditch-water and river-water came running across the hot woods and fields and meadows, brandishing cans of water, wetting each other uproariously, and shouting San Juan! San Juan! as they ran to meet the procession.


Up the road, stirring a cloud of dust, and gaily bedrenched by the crowds gathered along the wayside, a concourse of young men clad only in soggy trousers were carrying aloft an image of the Precursor. Their teeth flashed white in their laughing faces and their hot bodies glowed crimson as they pranced past, shrouded in fiery dust, singing and shouting and waving their arms: the St. John riding swiftly above the sea of dark heads and glittering in the noon sun—a fine, blonde, heroic St. John: very male, very arrogant: the Lord of Summer indeed; the Lord of Light and Heat—erect and godly virile above the prone and female earth—while the worshippers danced and the dust thickened and the animals reared and roared and the merciless fires came raining down form the skies—the relentlessly upon field and river and town and winding road, and upon the joyous throng of young men against whose uproar a couple of seminarians in muddy cassocks vainly intoned the hymn of the noon god: 


              That we, thy servants, in chorus
              May praise thee, our tongues restore us…


But Doña Lupeng, standing in the stopped carriage, looking very young and elegant in her white frock, under the twirling parasol, stared down on the passing male horde with increasing annoyance. The insolent man-smell of their bodies rose all about her—wave upon wave of it—enveloping her, assaulting her senses, till she felt faint with it and pressed a handkerchief to her nose. And as she glanced at her husband and saw with what a smug smile he was watching the revelers, her annoyance deepened. When he bade her sit down because all eyes were turned on her, she pretended not to hear; stood up even straighter, as if to defy those rude creatures flaunting their manhood in the sun.


And she wondered peevishly what the braggarts were being so cocky about? For this arrogance, this pride, this bluff male health of theirs was (she told herself) founded on the impregnable virtue of generations of good women. The boobies were so sure of themselves because they had always been sure of their wives. “All the sisters being virtuous, all the brothers are brave,” thought Doña Lupeng, with a bitterness that rather surprised her. Women had built it up: this poise of the male. Ah, and women could destroy it, too! She recalled, vindictively, this morning’s scene at the stables: Amada naked and screaming in bed whiled from the doorway her lord and master looked on in meek silence. And was it not the mystery of a woman in her flowers that had restored the tongue of that old Hebrew prophet?


“Look, Lupeng, they have all passed now,” Don Paeng was saying, “Do you mean to stand all the way?”


She looked around in surprise and hastily sat down. The children tittered, and the carriage started.


“Has the heat gone to your head, woman?” asked Don Paeng, smiling. The children burst frankly into laughter.


Their mother colored and hung her head. She was beginning to feel ashamed of the thoughts that had filled her mind. They seemed improper—almost obscene—and the discovery of such depths of wickedness in herself appalled her. She moved closer to her husband to share the parasol with him.


“And did you see our young cousin Guido?” he asked.


“Oh, was he in that crowd?”


“A European education does not seem to have spoiled his taste for country pleasures.”


“I did not see him.”


“He waved and waved.”


“The poor boy. He will feel hurt. But truly, Paeng. I did not see him.”


“Well, that is always a woman’s privilege.”




BUT WHEN THAT afternoon, at the grandfather’s, the young Guido presented himself, properly attired and brushed and scented, Doña Lupeng was so charming and gracious with him that he was enchanted and gazed after her all afternoon with enamored eyes.


This was the time when our young men were all going to Europe and bringing back with them, not the Age of Victoria, but the Age of Byron. The young Guido knew nothing of Darwin and evolution; he knew everything about Napoleon and the Revolution. When Doña Lupeng expressed surprise at his presence that morning in the St. John’s crowd, he laughed in her face.


“But I adore these old fiestas of ours! They are so romantic! Last night, do you know, we walked all the way through the woods, I and some boys, to see the procession of the Tadtarin.”


“And was that romantic too?” asked Doña Lupeng.


“It was weird. It made my flesh crawl. All those women in such a mystic frenzy! And she who was the Tadtarin last night—she was a figure right out of a flamenco!”


“I fear to disenchant you, Guido—but that woman happens to be our cook.”


“She is beautiful.”


“Our Amada beautiful? But she is old and fat!”


“She is beautiful—as that old tree you are leaning on is beautiful,” calmly insisted the young man, mocking her with his eyes.


They were out in the buzzing orchard, among the ripe mangoes; Doña Lupeng seated on the grass, her legs tucked beneath her, and the young man sprawled flat on his belly, gazing up at her, his face moist with sweat. The children were chasing dragonflies. The sun stood still in the west. The long day refused to end. From the house came the sudden roaring laughter of the men playing cards.


“Beautiful! Romantic! Adorable! Are those the only words you learned in Europe?” cried Doña Lupeng, feeling very annoyed with this young man whose eyes adored her one moment and mocked her the next.


“Ah, I also learned to open my eyes over there—to see the holiness and the mystery of what is vulgar.”


“And what is so holy and mysterious about—about the Tadtarin, for instance?”


“I do not know. I can only feel it. And it frightens me. Those rituals come to us from the earliest dawn of the world. And the dominant figure is not the male but the female.”


“But they are in honor of St. John.”


“What has your St. John to do with them? Those women worship a more ancient lord. Why, do you know that no man may join those rites unless he first puts on some article of women’s apparel and—“


“And what did you put on, Guido?”


“How sharp you are! Oh, I made such love to a toothless old hag there that she pulled off her stocking for me. And I pulled it on, over my arm, like a glove. How your husband would have despised me!”


“But what on earth does it mean?”


“I think it is to remind us men that once upon a time you women were supreme and we men were the slaves.”


“But surely there have always been kings?”


“Oh, no. The queen came before the king, and the priestess before the priest, and the moon before the sun.”


“The moon?”


“—who is the Lord of the women.”


“Why?”


“Because the tides of women, like the tides of the sea, are tides of the moon. Because the first blood -But what is the matter, Lupe? Oh, have I offended you?”


“Is this how they talk to decent women in Europe?”


“They do not talk to women, they pray to them—as men did in the dawn of the world.”


“Oh, you are mad! mad!”


“Why are you so afraid, Lupe?”


“I afraid? And of whom? My dear boy, you still have your mother’s milk in your mouth. I only wish you to remember that I am a married woman.”


“I remember that you are a woman, yes. A beautiful woman. And why not? Did you turn into some dreadful monster when you married? Did you stop being a woman? Did you stop being beautiful? Then why should my eyes not tell you what you are—just because you are married?”


“Ah, this is too much now!” cried Doña Lupeng, and she rose to her feet.


“Do not go, I implore you! Have pity on me!”


“No more of your comedy, Guido! And besides—where have those children gone to! I must go after them.”


As she lifted her skirts to walk away, the young man, propping up his elbows, dragged himself forward on the ground and solemnly kissed the tips of her shoes. She stared down in sudden horror, transfixed—and he felt her violent shudder. She backed away slowly, still staring; then turned and fled toward the house.




ON THE WAY home that evening Don Paeng noticed that his wife was in a mood. They were alone in the carriage: the children were staying overnight at their grandfather’s. The heat had not subsided. It was heat without gradations: that knew no twilights and no dawns; that was still there, after the sun had set; that would be there already, before the sun had risen.


“Has young Guido been annoying you?” asked Don Paeng.


“Yes! All afternoon.”


“These young men today—what a disgrace they are! I felt embarrassed as a man to see him following you about with those eyes of a whipped dog.”


She glanced at him coldly. “And was that all you felt, Paeng? embarrassed—as a man?”


“A good husband has constant confidence in the good sense of his wife,” he pronounced grandly, and smiled at her.


But she drew away; huddled herself in the other corner. “He kissed my feet,” she told him disdainfully, her eyes on his face.


He frowned and made a gesture of distaste. “Do you see? They have the instincts, the style of the canalla! To kiss a woman’s feet, to follow her like a dog, to adore her like a slave –”


“Is it so shameful for a man to adore women?”


“A gentleman loves and respects Woman. The cads and lunatics—they ‘adore’ the women.”


“But maybe we do not want to be loved and respected—but to be adored.”


But when they reached home she did not lie down but wandered listlessly through the empty house. When Don Paeng, having bathed and changed, came down from the bedroom, he found her in the dark parlour seated at the harp and plucking out a tune, still in her white frock and shoes.


“How can you bear those hot clothes, Lupeng? And why the darkness? Order someone to bring light in here.”


“There is no one, they have all gone to see the Tadtarin.”


“A pack of loafers we are feeding!”


She had risen and gone to the window. He approached and stood behind her, grasped her elbows and, stooping, kissed the nape of her neck. But she stood still, not responding, and he released her sulkily. She turned around to face him.


“Listen, Paeng. I want to see it, too. The Tadtarin, I mean. I have not seen it since I was a little girl. And tonight is the last night.”


“You must be crazy! Only low people go there. And I thought you had a headache?” He was still sulking.


“But I want to go! My head aches worse in the house. For a favor, Paeng.”


“I told you: No! go and take those clothes off. But, woman, whatever has got into you!” he strode off to the table, opened the box of cigars, took one, banged the lid shut, bit off an end of the cigar, and glared about for a light.


She was still standing by the window and her chin was up.


“Very well, if you do want to come, do not come—but I am going.”


“I warn you, Lupe; do not provoke me!”


“I will go with Amada. Entoy can take us. You cannot forbid me, Paeng. There is nothing wrong with it. I am not a child.”


But standing very straight in her white frock, her eyes shining in the dark and her chin thrust up, she looked so young, so fragile, that his heart was touched. He sighed, smiled ruefully, and shrugged his shoulders.


“Yes, the heat ahs touched you in the head, Lupeng. And since you are so set on it—very well, let us go. Come, have the coach ordered!”




THE CULT OF the Tadtarin is celebrated on three days: the feast of St. John and the two preceding days. On the first night, a young girl heads the procession; on the second, a mature woman; and on the third, a very old woman who dies and comes to life again. In these processions, as in those of Pakil and Obando, everyone dances.


Around the tiny plaza in front of the barrio chapel, quite a stream of carriages was flowing leisurely. The Moretas were constantly being hailed from the other vehicles. The plaza itself and the sidewalks were filled with chattering, strolling, profusely sweating people. More people were crowded on the balconies and windows of the houses. The moon had not yet risen; the black night smoldered; in the windless sky the lightning’s abruptly branching fire seemed the nerves of the tortured air made visible.


“Here they come now!” cried the people on the balconies.


And “Here come the women with their St. John!” cried the people on the sidewalks, surging forth on the street. The carriages halted and their occupants descended. The plaza rang with the shouts of people and the neighing of horses—and with another keener sound: a sound as of sea-waves steadily rolling nearer.


The crowd parted, and up the street came the prancing, screaming, writhing women, their eyes wild, black shawls flying around their shoulders, and their long hair streaming and covered with leaves and flowers. But the Tadtarin, a small old woman with white hair, walked with calm dignity in the midst of the female tumult, a wand in one hand, a bunch of seedling in the other. Behind her, a group of girls bore aloft a little black image of the Baptist—a crude, primitive, grotesque image, its big-eyed head too big for its puny naked torso, bobbing and swaying above the hysterical female horde and looking at once so comical and so pathetic that Don Paeng, watching with his wife on the sidewalk, was outraged. The image seemed to be crying for help, to be struggling to escape—a St. John indeed in the hands of the Herodias; a doomed captive these witches were subjecting first to their derision; a gross and brutal caricature of his sex.


Don Paeng flushed hotly: he felt that all those women had personally insulted him. He turned to his wife, to take her away—but she was watching greedily, taut and breathless, her head thrust forward and her eyes bulging, the teeth bared in the slack mouth, and the sweat gleaning on her face. Don Paeng was horrified. He grasped her arm—but just then a flash of lightning blazed and the screaming women fell silent: the Tadtarin was about to die.


The old woman closed her eyes and bowed her head and sank slowly to her knees. A pallet was brought and set on the ground and she was laid in it and her face covered with a shroud. Her hands still clutched the wand and the seedlings. The women drew away, leaving her in a cleared space. They covered their heads with their black shawls and began wailing softly, unhumanly—a hushed, animal keening. 


Overhead the sky was brightening, silver light defined the rooftops. When the moon rose and flooded with hot brilliance the moveless crowded square, the black-shawled women stopped wailing and a girl approached and unshrouded the Tadtarin, who opened her eyes and sat up, her face lifted to the moonlight. She rose to her feet and extended the wand and the seedlings and the women joined in a mighty shout. They pulled off and waved their shawls and whirled and began dancing again—laughing and dancing with such joyous exciting abandon that the people in the square and on the sidewalk, and even those on the balconies, were soon laughing and dancing, too. Girls broke away from their parents and wives from their husbands to join in the orgy. 


“Come, let us go now,” said Don Paeng to his wife. She was shaking with fascination; tears trembled on her lashes; but she nodded meekly and allowed herself to be led away. But suddenly she pulled free from his grasp, darted off, and ran into the crowd of dancing women.


She flung her hands to her hair and whirled and her hair came undone. Then, planting her arms akimbo, she began to trip a nimble measure, an indistinctive folk-movement. She tossed her head back and her arched throat bloomed whitely. Her eyes brimmed with moonlight, and her mouth with laughter.


Don Paeng ran after her, shouting her name, but she laughed and shook her head and darted deeper into the dense maze of procession, which was moving again, towards the chapel. He followed her, shouting; she eluded him, laughing—and through the thick of the female horde they lost and found and lost each other again—she, dancing and he pursuing—till, carried along by the tide, they were both swallowed up into the hot, packed, turbulent darkness of the chapel. Inside poured the entire procession, and Don Paeng, finding himself trapped tight among milling female bodies, struggled with sudden panic to fight his way out. Angry voices rose all about him in the stifling darkness.


“Hoy you are crushing my feet!”


“And let go of my shawl, my shawl!”


“Stop pushing, shameless one, or I kick you!”


“Let me pass, let me pass, you harlots!” cried Don Paeng.


“Abah, it is a man!”


“How dare he come in here?”


“Break his head!”


“Throw the animal out!”


”Throw him out! Throw him out!” shrieked the voices, and Don Paeng found himself surrounded by a swarm of gleaming eyes.


Terror possessed him and he struck out savagely with both fists, with all his strength—but they closed in as savagely: solid walls of flesh that crushed upon him and pinned his arms helpless, while unseen hands struck and struck his face, and ravaged his hair and clothes, and clawed at his flesh, as—kicked and buffeted, his eyes blind and his torn mouth salty with blood—he was pushed down, down to his knees, and half-shoved, half-dragged to the doorway and rolled out to the street. He picked himself up at once and walked away with a dignity that forbade the crowd gathered outside to laugh or to pity. Entoy came running to meet him.


“But what has happened to you, Don Paeng?”


“Nothing. Where is the coach?”


“Just over there, sir. But you are wounded in the face!”


“No, these are only scratches. Go and get the señora. We are going home.”


When she entered the coach and saw his bruised face and torn clothing, she smiled coolly. 


“What a sight you are, man! What have you done with yourself?”


And when he did not answer: “Why, have they pulled out his tongue too?” she wondered aloud.




AND WHEN THEY are home and stood facing each other in the bedroom, she was still as light-hearted.


“What are you going to do, Rafael?”


“I am going to give you a whipping.”


“But why?”


“Because you have behaved tonight like a lewd woman.”


“How I behaved tonight is what I am. If you call that lewd, then I was always a lewd woman and a whipping will not change me—though you whipped me till I died.”


“I want this madness to die in you.”


“No, you want me to pay for your bruises.”


He flushed darkly. “How can you say that, Lupe?”


“Because it is true. You have been whipped by the women and now you think to avenge yourself by whipping me.”


His shoulders sagged and his face dulled. “If you can think that of me –”


“You could think me a lewd woman!” 


“Oh, how do I know what to think of you? I was sure I knew you as I knew myself. But now you are as distant and strange to me as a female Turk in Africa.” 


“Yet you would dare whip me –” 


“Because I love you, because I respect you.”


“And because if you ceased to respect me you would cease to respect yourself?”


“Ah, I did not say that!”


“Then why not say it? It is true. And you want to say it, you want to say it!”


But he struggled against her power. “Why should I want to?” he demanded peevishly.


“Because, either you must say it—or you must whip me,” she taunted. 


Her eyes were upon him and the shameful fear that had unmanned him in the dark chapel possessed him again. His legs had turned to water; it was a monstrous agony to remain standing. 


But she was waiting for him to speak, forcing him to speak.


“No, I cannot whip you!” he confessed miserably.


“Then say it! Say it!” she cried, pounding her clenched fists together. “Why suffer and suffer? And in the end you would only submit.” 


But he still struggled stubbornly. “Is it not enough that you have me helpless? Is it not enough that I feel what you want me feel?”


But she shook her head furiously. “Until you have said to me, there can be no peace between us.”


He was exhausted at last; he sank heavily to his knees, breathing hard and streaming with sweat, his fine body curiously diminished now in its ravaged apparel. 


“I adore you, Lupe,” he said tonelessly.


She strained forward avidly, “What? What did you say?” she screamed.


And he, in his dead voice: “That I adore you. That I adore you. That I worship you. That the air you breathe and the ground you tread is so holy to me. That I am your dog, your slave...”


But it was still not enough. Her fists were still clenched, and she cried: “Then come, crawl on the floor, and kiss my feet!”


Without moment’s hesitation, he sprawled down flat and, working his arms and legs, gaspingly clawed his way across the floor, like a great agonized lizard, the woman steadily backing away as he approached, her eyes watching him avidly, her nostrils dilating, till behind her loomed the open window, the huge glittering moon, the rapid flashes of lightning. she stopped, panting, and leaned against the sill. He lay exhausted at her feet, his face flat on the floor.


She raised her skirts and contemptuously thrust out a naked foot. He lifted his dripping face and touched his bruised lips to her toes; lifted his hands and grasped the white foot and kiss it savagely - kissed the step, the sole, the frail ankle - while she bit her lips and clutched in pain at the whole windowsill her body and her loose hair streaming out the window - streaming fluid and black in the white night where the huge moon glowed like a sun and the dry air flamed into lightning and the pure heat burned with the immense intense fever of noon.

Sitsiritsit

Sitsiritsit, alibangbang
Salaginto at salagubang
Ang babae sa lansangan
Kung gumiri'y parang tandang.

Santo Niño sa Pandakan
Putoseko sa tindahan
Kung ayaw mong magpautang Uubusin ka ng langgam
Mama, mama, namamangka
Pasakayin yaring bata.
Pagdating sa Maynila
Ipagpalit ng manika.

Ale, ale, namamayong
Pasukubin yaring sanggol.
Pagdating sa Malabon
Ipagpalit ng bagoong.

My Father Goes To Court by Carlos Bulosan

When I was four, I lived with my mother and brothers and sisters in a small town on the island of Luzon. Father’s farm had been destroyed in 1918 by one of our sudden Philippine floods, so for several years afterward we all lived in the town, though he preffered living in the country. We had a next-door neighbor, a very rich man, whose sons and daughters seldom came out of the house. While we boys and girls played and sand in the sun, his children stayed inside and kept the windows closed. His house was so tall that his children could look in the windows of our house and watch us as we played, or slept, or ate, when there was any food in the house to eat.

Now, this rich man’s servants were always frying and cooking something good, and the aroma of the food was wafted down to us from the windows of the big house. We hung about and took all the wonderful smell of the food into our beings. Sometimes, in the morning, our whole family stood outside the windows of the rich man’s house and listened to the musical sizzling of thick strips of bacon or ham. I can remember one afternoon when our neighbor’s servants roasted three chickens. The chickens were young and tender and the fat that dripped into the burning coals gave off an enchanting odor. We watched the servants turn the beautiful birds and inhaled the heavenly spirit that drifted out to us.

Some days the rich man appeared at a window and glowered down at us. He looked at us one by one, as though he were condemning us. We were all healthy because we went out in the sun every day and bathed in the cool water of the river that flowed from the mountains into the sea. Sometimes we wrestled with one another in the house before we went out to play.

We were always in the best of spirits and our laughter was contagious. Other neighbors who passed by our house often stopped in our yard and joined us in our laughter.

Laughter was our only wealth. Father was a laughing man. He would go in to the living room and stand in front of the tall mirror, stretching his mouth into grotesque shapes with his fingers and making faces at himself, and then he would rush into the kitchen, roaring with laughter.

There was plenty to make us laugh. There was, for instance, the day one of my brothers came home and brought a small bundle under his arm, pretending that he brought something to eat, maybe a leg of lamb or something as extravagant as that to make our mouths water. He rushed to mother and through the bundle into her lap. We all stood around, watching mother undo the complicated strings. Suddenly a black cat leaped out of the bundle and ran wildly around the house. Mother chased my brother and beat him with her little fists, while the rest of us bent double, choking with laughter.

Another time one of my sisters suddenly started screaming in the middle of the night. Mother reached her first and tried to calm her. My sister criedand groaned. When father lifted the lamp, my sister stared at us with shame in her eyes.

“What is it?” <other asked.

“I’m pregnant!” she cried.

“Don’t be a fool!” Father shouted.

“You’re only a child,” Mother said.

“I’m pregnant, I tell you!” she cried.

Father knelt by my sister. He put his hand on her belly and rubbed it gently. “How do you know you are pregnant?” he asked.

“Feel it!” she cried.

We put our hands on her belly. There was something moving inside. Father was frightened. Mother was shocked. “Who’s the man?” she asked.

“There’s no man,” my sister said.

‘What is it then?” Father asked.

Suddenly my sister opened her blouse and a bullfrog jumped out. Mother fainted, father dropped the lamp, the oil spilled on the floor, and my sister’s blanket caught fire. One of my brothers laughed so hard he rolled on the floor.

When the fire was extinguished and Mother was revived, we turned to bed and tried to sleep, but Father kept on laughing so loud we could not sleep any more. Mother got up again and lighted the oil lamp; we rolled up the mats on the floor and began dancing about and laughing with all our might. We made so much noise that all our neighbors except the rich family came into the yard and joined us in loud, genuine laughter.

It was like that for years.

As time went on, the rich man’s children became thin and anemic, while we grew even more robust and full of fire. Our faces were bright and rosy, but theirs were pale and sad. The rich man started to cough at night; then he coughed day and night. His wife began coughing too. Then the children started to cough one after the other. At night their coughing sounded like barking of a herd of seals. We hung outside their windows and listened to them. We wondered what had happened to them. We knew that they were not sick from lack of nourishing food because they were still always frying something delicious to eat.

One day the rich man appeared at a window and stood there a long time. He looked at my sisters, who had grown fat with laughing, then at my brothers, whose arms and legs were like the molave, which is the sturdiest tree in the Philippines. He banged down the window and ran through the house, shutting all the windows.

From that day on, the windows of our neighbor’s house were closed. The children did not come outdoors anymore. We could still hear the servants cooking in the kitchen, and no matter how tight the windows were shut, the aroma of the food came to us in the wind and drifted gratuitously into our house.

One morning a policeman from the presidencia came to our house with a sealed paper. The rich man had filled a complaint against us. Father took me with him when he went to the town clerk and asked him what it was all about. He told Father the man claimed that for years we had been stealing the spirit of his wealth and food.

When the day came for us to appear in court, Father brushed his old army uniform and borrowed a pair of shoes from one of my brothers. We were the first to arrive. Father sat on a chair in the center of the courtroom. Mother occupied a chair by the door. We children sat on a long bench by the wall. Father kept jumping up his chair and stabbing the air with his arms, as though he were defending himself before an imaginary jury.

The rich man arrived. He had grown old and feeble; his face was scarred with deep lines. With him was his young lawyer. Spectators came in and almost filled the chairs. The judge entered the room and sat on a high chair. We stood up in a hurry and sat down again.

After the courtroom preliminaries, the judge took at father. “Do you have a lawyer?” he asked.

“I don’t need a lawyer judge.” He said.

“Proceed,” said the judge.

The rich man’s lawyer jumped and pointed his finger at Father, “Do you or do you not agree that you have been stealing the spirit of the complainant’s wealth and food?”

“I do not!” Father said.

“Do you or do you not agree that while the complainant’s servants cooked and fried fat legs of lambs and young chicken breasts, you and your family hung outside your windows and inhaled the heavenly spirit of the food?”

“I agree,” Father said.

“How do you account for that?”

Father got up and paced around, scratching his head thoughtfully. Then he said, “I would like to see the children of the complainant, Judge.”

“Bring the children of the complainant.”

They came shyly. The spectators covered their mouths with their hands. They were so amazed to see the children so thin and pale. The children walked silently to a bench and sat down without looking up. They stared at the floor and moved their hands uneasily.

Father could not say anything at first. He just stood by his chair and looked at them. Finally he said, “I should like to cross-examine the complainant.”

“Proceed.”

“Do you claim that we stole the spirit of your wealth and became a laughing family while yours became morose and sad?” Father asked.

“Yes.”

“Then we are going to pay you right now,” Father said. He walked over to where we children were sitting on the bench and took my straw hat off my lap and began filling it up with centavo pieces that he took out his pockets. He went to Mother, who added a fistful of silver coins. My brothers threw in their small change.

“May I walk to the room across the hall and stay there for a minutes, Judge?” Father asked.

“As you wish.”

“Thank you,” Father said. He strode into the other room with the hat in his hands. It was almost full of coins. The doors of both rooms were wide open.

“Are you ready?” Father called.

“Proceed.” The judge said.

The sweet tinkle of coins carried beautifully into the room. The spectators turned their faces toward the sound with wonder. Father came back and stood before the complainant.

“Did you hear it?” he asked.

“Hear what?” the man asked.

“The spirit of the money when I shook this hat?” he asked.

“Yes.”

“Then you are paid.” Father said.

The rich man opened his mouth to speak and fell to the floor without a sound. The lawyer rushed to his aid. The judge pounded his gravel.

“Case dismissed,” he said.

Father strutted around the courtroom. The judge even came down to his high chair to shake hands with him. “By the way,” he whispered, “I had an uncle who died laughing.”

“You like to hear my family laugh, judge?” Father asked.

“Why not?”

Did you hear that children?” Father said.

My sister started it. The rest of us followed them and soon the spectators were laughing with us, holding their bellies and bending over the chairs. And the laughter of the judge was the loudest of all.